FashioNarrating
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- Joined
- Oct 4, 2023
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His clothes couldn’t be more different to McQueen…Or did I miss something.
I have always found the comparison between the two a bit ridiculous because beyond being from similar background, having a parallel career and having a sense of theatricality, their clothes are very different.
I’m maybe the only one but I have always felt like they are from two totally different universes.
But then again Margiela is a different universe to his own and it forces him to create very modern clothes.
John is embedded by his time at Dior and the kind of women he was dressing there. Once Arnault stopped the madhouse days and changed the strategy, suddenly, John designed for the very sophisticated woman we kind of see here and there in his current collections.
But Margiela being Margiela, being about the street. It has forced him to approach fashion in a more grounded way.
‘And I think the reason of the success of Margiela right now is because in the shops, you see intelligent, practical and very designed pieces. His work is more relevant than ever.
‘McQueen is a luxury brand now. The spirit is different. Lee used to reference the past in some obvious ways but I wonder if it’s relevant for John.
‘It’s all science fiction in a way because Pinault will never hire John Galliano anyway. Renzo Rosso is happy. He is happy that Anna Wintour is happy and hyper supportive and despite the very little marketing, the brand is doing well….
Well I would say their clothes could be more different which doesn't mean there aren't significant differences in their sensibilities/approach. However, just as McQueen was, Galliano is one of the fiercest tailors among the working creative directors, with an equally strong, albeit differently directed penchant for drama expressed in fabric.
While I mostly like what I see in a Margiela store nowadays, some of the stuff he presents on the runway - in this collection, the dresses with hints of side-bustles which after some tweaking really wouldn't look that off on a McQueen runway - is lowkey screeching that he yearns to do something more gestural. More than the street, Margiela to me was always about the garments on their own, and while Galliano is great at constructing them, the way he garnishes and presents them tells me that he still loves and craves some pomp, which is the polar opposite of the Margiela ethos imo.
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